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Realism sencizm

What is a realistic sencizm?

- This is a completely new direction in the fine arts -osnovannoe in the energy, spiritual osazanii that depicts the artist.

The fact is that all that is in nature, all life, is constantly changing. Changing every second, every moment. Varies, look and internally, as well as in the energy level. These changes are not visible eye, and they can only understand and feel subconsciously, in the energy and spiritual link with the outside world.

To cite an example : if damage on the surface of canvas or any other surface oil paint thick, touching it in a few minutes we notice that the ink packaetsa-it is not dry. A few days later, we notice that the surface paint ceased soil. Does that paint dry? None. If the paint surface pressure than the firm we note that, under the top layer of seemingly dry paint is another totally crude layer of paint. If done the same operation in the case of one year, we see that the ink is completely dry and no longer packaetsa.

So in a year in the paint was drying process, but even vsohnouv, paint still continue to live their lives is not visible externally. We can see that looking at the old pictures. They have observed brown paint layer, small and large cracks krakelur, where some can be detached from the edges.

This suggests that all the time but there is the picture painted taken place and are still taking place as the processes and will be until it is completely decompose.

Not happening with the madness of the world. These subtle eye processes occur each second, each moment in all living consciousness and plants, and living subjects in all that surrounds us in this world.

It is the desire and ability to show the fully that the internal life of the entire surrounding us with painting for example, and it is what is called Realisticski sencizmom

It seemed like a realistic painting over nature, lighting, objects, people, but in reality it's not. Any realistic painting has only physical resemblance, and the quick, and it is not always the same as reality. Most artist not only preserving the state and the mood at the moment, but did not feel that it is now, and continue to live, breathe, move, grow, and so on.

Only occasionally some artists manage to convey what isobrajaemaya reality lives.

This usually occurs by chance when an example as a painter plenere suddenly sees landscape or any object who so emotionally tried it, that he is not trying, in the heat of emotion and inspiration nahlanuvshego thing to etudnico and noble write or do karandashny outline , or any other technology to show what. It is at such moments and the case is what we call sencizmom

If the artist may deliberately enter into a state when established some energy and spiritual connection between the artist and depict reality it is possible to say that the artist is a follower of realistic sensisme

This condition can be compared to the state of meditation, with the only difference being that in a state of meditation as a people to be turned off from the external stimulants, takes a, in the same sensisme people instead remains in the real world, he offered what the additional channels through which established communications with the outside world, but on another level, in the other, the additional energy and spiritual channels through which to understand the movement of which is not visible eye. And if this movement, These feelings are not in the picture, it is then and only then we can say that the artist is working towards realistic sensisme

Now I can state with certainty that I and my wife has not only created this as painting, Noi to learn how to work in that direction.

Of course there are failures, in which the picture of the life gets better in what the worse the same for other as in any artist, but every time we began to work on the picture, we must build this spiritually -energeticescuu communications. On this and the one picture look at the long delay, since changes in the world around us, is a constant and if for any reason the work on the picture had to be interrupted for a long time, the next time embarking on the same picture, almost all start again, it has produced a very different picture Yet external forms remain unchanged already have quite another, or almost content. It is for this reason that some of our paintings left for a long time, and are not dopisannami several months.

Alexander Avrin